Merch design for Flim. The creative direction and presentation environment for the merch were developed using Flim, exploring AI-assisted image research and visual experimentation.

Album cover design for Moon Orion’s “Ignition”, including CD layout, typographic treatment, executive files, and a double-sided A3 promotional poster.

A series of advertising campaigns for Flim.ai, presenting new features, platform promotions, and the brand’s core pillars — declined across formats for Meta and Google.

Short motion videos made for targeted landing pages presenting Flim’s core pillars, Search & Workflow.

Designed exhibition signage for Perrotin’s international programme. The system was developed to ensure clarity, consistency and seamless integration within a wide range of exhibition environments, from wall texts to wayfinding and printed materials.

Series of motion graphics created for Perrotin’s social media channels. Designed to promote exhibitions, artists and editorial content while extending the gallery’s visual identity across digital platforms.

Visual identity for the first and fourth editions of CRAVE, a concert series dedicated to coldwave, darkwave and post-punk in Bordeaux. Developed with Lucie Bedu, the identity combines bold typography, textured imagery and a restrained black-and-white palette across posters, digital assets and merchandise.

Editorial design for Lanvin’s collaboration with Rooms Studio resented during Salone del Mobile 2024. The newspaper connects furniture design, fashion and the Jeanne Lanvin archives through a publication conceived as both an editorial object and an exhibition companion.

Visual assets developed for the Lanvin Lab byFuture at Webster, Miami.The project included event branding, environmental graphics, printed objects and production follow-up in collaboration with the image and retail teams.

Exhibition graphics for a Lanvin archive presentation in Riyadh. Developed in collaboration with the Image Team, the project included visual treatments, exhibition branding, large-scale graphics and production assets inspired by Jeanne Lanvin’s heritage.

Complete visual identity for AQPHA Medical, a Utrecht-based medical device company. The project included logo development, brand guidelines, packaging design and production assets, creating a cohesive identity for the launch of a new bioresorbable product.

A typeface inspired by the French Duployé shorthand system. Developed from archival research, the project translates stenographic writing into an OpenType typeface accompanied by a series of printed and digital specimen objects exploring transcription as a graphic language.

Research project exploring the history and practice of French shorthand through archival material and interviews with former stenographers. The collected testimonies reveal personal writing systems while reflecting on the relationship between memory, language and disappearing technologies.

An experimental installation that transforms spatial movement into live graphic drawings. Combining an Arduino-controlled device with a repurposed tracking camera, the project visualises motion in real time as a continuously evolving map.

Experimental poster generated from conversational data. Developed with Sarah Not, the project uses machine learning to translate co-verbal gestures into graphic forms, questioning how computational tools can influence visual communication.

Master’s thesis investigating the graphic transcription of conversation. Combining historical research, contemporary interviews and editorial design, the publication examines how systems of notation continue to shape the way spoken language is recorded and represented.

Motion graphics created for the HEAR Graphic Design archive as part of the Saint-Étienne International Design Biennale. The project organises and presents student work through a series of thematic films exploring digital practices, data, machine learning and experimental tools.

Visual identity and motion design for the exhibition Fin de la grève de la figure. Developed through image generation and experimental graphic systems, the identity extends across printed and animated formats, exploring the relationship between artificial intelligence and contemporary visual culture.

Archive Book design based on the scrapping and the use of the #sarcasticcomments on reddit.
Auto-generation using data merging tool, dynamic indesign stylesheet design and a font using ligature features to create contrasting growing clouds. These indicators represent the level of sarcasm and are influenced by the number of likes scraped from the targeted post.

Developed in collaboration with Martin Gouriou, Première Classe is a modular typeface inspired by Gothic patterns collected from the Strasbourg Cathedral. This font asserts its identity through two sets of glyphs coded in alternates, causing typed letters to alternate randomly.

Fanzine designed in collaboration with Chiara Camilleri for a promotional event at Ground Effect gallery [Paris] marking the release of 4 films by the production company Premier Cri. Printed in tabloid format, featuring a dedicated section for each film spanning 4 double pages, showcasing the unique identity of each movie.

Self-generated archiving book of UFO sightings observations and witness testimonys in the United States for the year 2011.Self-generated edition in PHP from a CSV file, creating a dynamic template in XML for generating graphics based on the orientation, the intensity of the light and the apparition frequency of the observed object.

Book designed during the lockdown period, emphasizing the significance of daily movements within the city of Strasbourg. Data related to these movements is scraped and reformatted from the running application Runkeeper, enabling the collection of elevation, average speed, and accurately tracked routes. A digital interface is accesible as a complement to the editorial form, using leaflet.js.

Spontaneous photoshoot, using the work of Boris Camaca as reference. Trying to flatten the image by using an external flash and playing with double exposition.

Regular practice of calligraphy initiated in 2019 by a workshop with Julien Priez in LTAA Auguste Renoir. Various projects explored the relationship between tools, form, scale, and medium. Prints on t-shirts, Lettering and drawing experimentions on cards, small and medium scales posters, clothes.