Signage for Perrotin’s indoor exhibitions.

Motion design for social media feed and story.

Visual identity design for the #1 and #4 editions of Crave, a serie of Coldwave/Darkwave/Post-Punk concerts held in Bordeaux. Created in collaboration with Lucie Bedu, the project explores textured graphic elements and bold black-and-white flat design to reflect both the dreamy aesthetic of the genre and the DIY, low-cost, and accessible spirit of the event. The identity was applied across posters, digital assets, and merch.

For the Salone del Mobile 2024 in Milan, Lanvin collaborated with Rooms Studio to present designer furniture and intersect it with Lanvin products, bridging the gap between object design and the fashion world. The newspaper aims to disseminate this concept while showcasing the collaboration project and archival pieces from the Jeanne Lanvin heritage.

Future at Webster, Miami (US) worked on the layout for the Lanvin Lab by Future logo for photocalls, elevations were made in collaboration with the retail team for the event, participation and follow-up on print and realization. Design of a vinyl, printed object showcasing the Lanvin Lab by Future campaign with the image team. Delivery of a special guideline for the photographers, digital, and Polaroid.

Exhibition in Riyadh (Saudi Arabia) showcasing archival imagery of Jeanne Lanvin. Along with the Image Team, work on the treatment and delivery of the images, exhibition branding, and logo elevations.

In collaboration with Tjerk, Marketing Specialist, we developped a fresh identity for AQPHA medical. This privately-owned medical device company, based in Utrecht, sought a complete rebranding centered around an upcoming innovative bioresorbable product. Logotype Research, brand manual, text/image composition guides, color choice based on archetypes and packaging design. Printing follow-up and production file delivery.

Eymet-Sans typeface is based on a phonetic alphabet and an OpenType ligature system to reproduce the composition of stenograms, following the French Duployé method in, Méthode théorique et pratique, Sténographie Duployé, Emilienne Gacon an archive documents printed in 1912. The extensive nature of the project calls for a dictionary or glossary of the used terms translated through differents graphic objects.

Series of interviews conducted with former stenographers as part of graphic research, archival document study, method books, and shorthand note-taking tools. Vestige of a past work, stenography bears witness to the current challenges posed by the race for new technologies. A form of writing with multiple possibilities. [Mrs Eymet – I invented my own graphic system so that I could always take notes].

Real-time tracking device for x, y, and z coordinates. It creates maps showing subjects’ movements in a defined space. The tracking system is activated through a downloadable app on any app store. The TikTok QWARE camera is repurposed for real time tracking. The device, featuring a 3D-printed part with an integrated drawing axis, is controlled by an Arduino. It moves back and forth every 35 seconds in a loop.

Inspired by the historical formal concept of the chirographe doccument, the generated graph serves as a signature, symbolizing the conversation as evidence. This project, in collaboration with Sarah Not, utilizes machine learning to transcribe co-verbal gestures in conversations, questioning the role of machine learning in conversation analysis and layout design.

Thesis conducted as part of the DNSEP [MA] at HEAR, Communication Graphique.
[First part] What is *Chiro--Graphisme*. A chronological approach to transcription, from the origins of conversational analysis to the emergence of mediated (online) interaction.[Second part] Conversation transcription featuring Frank Leibovici, Yaël Kreplak and Matias Tripodi. Is transcribing conversational information still relevant today?

Led by the Saint-Étienne Biennale, collection and archiving of Hear Graphic Communication Department students projects in connection with digital initiatives. Video editing respecting four thematic classifications of projects: Digital Studies, Data, Machine Learning, and Tools.

La Fin de la grève de la Figure is a global identity project for the exhibition of artist Tudi Deligne at La Chaufferie, Strasbourg. Deligne draws inspiration from his extensive image bank, accumulated over years, containing over 5GB of various images and GIFs. Through collaboration with the artist and the use of GAN (Generative Adversarial Networks), patterns are generated from these 5000 reference images. This process is employed to create poster backgrounds, abstract compositions, and motion animations for exhibition visuals.

Archive Book design based on the scrapping and the use of the #sarcasticcomments on reddit.
Auto-generation using data merging tool, dynamic indesign stylesheet design and a font using ligature features to create contrasting growing clouds. These indicators represent the level of sarcasm and are influenced by the number of likes scraped from the targeted post.

Developed in collaboration with Martin Gouriou, Première Classe is a modular typeface inspired by Gothic patterns collected from the Strasbourg Cathedral. This font asserts its identity through two sets of glyphs coded in alternates, causing typed letters to alternate randomly.

Fanzine designed in collaboration with Chiara Camilleri for a promotional event at Ground Effect gallery [Paris] marking the release of 4 films by the production company Premier Cri. Printed in tabloid format, featuring a dedicated section for each film spanning 4 double pages, showcasing the unique identity of each movie.

Self-generated archiving book of UFO sightings observations and witness testimonys in the United States for the year 2011.Self-generated edition in PHP from a CSV file, creating a dynamic template in XML for generating graphics based on the orientation, the intensity of the light and the apparition frequency of the observed object.

Book designed during the lockdown period, emphasizing the significance of daily movements within the city of Strasbourg. Data related to these movements is scraped and reformatted from the running application Runkeeper, enabling the collection of elevation, average speed, and accurately tracked routes. A digital interface is accesible as a complement to the editorial form, using leaflet.js.

Spontaneous photoshoot, using the work of Boris Camaca as reference. Trying to flatten the image by using an external flash and playing with double exposition.

Regular practice of calligraphy initiated in 2019 by a workshop with Julien Priez in LTAA Auguste Renoir. Various projects explored the relationship between tools, form, scale, and medium. Prints on t-shirts, Lettering and drawing experimentions on cards, small and medium scales posters, clothes.